HACER HISTORIA: CRÍTICA LITERARIA Y POESÍA POSFRANQUISTAS
Juan Miguel López Merino
Resumen
RESUMEN: El poder de modelación de la historia de la literatura que la crítica posee es mucho más obvio y efectivo en poesía que en otros géneros, entre otras razones porque la barrera entre poetas y críticos es, desde hace casi un siglo, cada vez más endeble. Hoy día el salvoconducto más efectivo para figurar en la historia de la poesía contemporánea no es ya la obra poética misma sino la “presencia” que la crítica le otorga. En este trabajo se intenta llevar a cabo una aproximación a estos hechos en la poesía española del periodo que va desde la muerte de Franco hasta prácticamente hoy mismo.
SUMMARY: The power to model the history of literature that critics have is much more obvious and effective in poetry than in other genres, being one of the reasons the fact that the barrier between poets and critics is, since nearly a century ago, feebler and feebler. Nowadays the most effective safe-conduct to be included in the history of contemporary poetry is not the poetical work itself but the “presence” that critics give to it. This work tries to make an aproximation to these facts in Spanish poetry of the period
SUMMARY: The power to model the history of literature that critics have is much more obvious and effective in poetry than in other genres, being one of the reasons the fact that the barrier between poets and critics is, since nearly a century ago, feebler and feebler. Nowadays the most effective safe-conduct to be included in the history of contemporary poetry is not the poetical work itself but the “presence” that critics give to it. This work tries to make an aproximation to these facts in Spanish poetry of the period
Hacer historia: crítica literaria y poesía posfranquistas, Doing history: literary critics and postfranquist poetry
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