EL VERBO ARBÓREO DE ANTONIO TRUJILLO
Juan Manuel Escourido Muriel
Resumen
Resumen: La poesía de Antonio Trujillo despierta interrogantes a ambos lados del Atlántico principalmente por su rescate de una visión re-sacralizada y des-dogmatizada sobre el individuo. Rescata la inmanencia fetichista de ciertos objetos cargados de significación poético/religiosa como la madera, el árbol, el pájaro y la nube, claves a la hora de reconstruir el universo de una voz contemporánea que descubre nuevas e insólitas honduras allá donde una tradición parecía haberse cerrado.
Abstract: The poetry of Antonio Trujillo raises questions on both sides of the Atlantic mainly by the rescue of a re-sacred and no dogmatic vision on the sujet. It rescues the fetish immanence of certain objects laden with poetic / religious significance as wood, tree, bird and cloud; these are the keys that we disposse to rebuild the universe of a contemporary voice that discovers new and insolites landscapes where a tradition seemed to be closed.
Abstract: The poetry of Antonio Trujillo raises questions on both sides of the Atlantic mainly by the rescue of a re-sacred and no dogmatic vision on the sujet. It rescues the fetish immanence of certain objects laden with poetic / religious significance as wood, tree, bird and cloud; these are the keys that we disposse to rebuild the universe of a contemporary voice that discovers new and insolites landscapes where a tradition seemed to be closed.
Poesía Contemporánea, Venezuela, re-sacralización, pájaro, madera, Dios, árbol, panteísmo, Contemporary Poetry, Venezuela, re-sacralization, bird, wood, God, tree, pantheism
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