DIECIOCHO FOTOGRAFÍAS PARA VIENTO DEL PUEBLO
Concepción Torres Begines
Resumen
La primera edición de Viento del pueblo fue concebida por Miguel Hernández como una obra en la que imagen y palabra interaccionan juntas gracias a las dieciocho fotografías que acompañan a los poemas y que funcionan como un código visual paralelo. Frente a este trabajo, encontramos sus dos últimas obras, inscritas dentro de su producción referida a la Guerra Civil, en las que el poeta negó todo intento de ilustración de sus poemas queriendo mostrar únicamente el texto.
Abstract:
The first edition of Viento del pueblo was conceived by Miguel Hernandez as a work were image and word interact together thanks to eighteen photographs that accompany the poems and work as a parallel visual code. Opposite to this work, we find his last two works, inscribed inside his production related to the Civil War, in which the poet declined any try for illustrating his poems wanting to show only the text.
Abstract:
The first edition of Viento del pueblo was conceived by Miguel Hernandez as a work were image and word interact together thanks to eighteen photographs that accompany the poems and work as a parallel visual code. Opposite to this work, we find his last two works, inscribed inside his production related to the Civil War, in which the poet declined any try for illustrating his poems wanting to show only the text.
fotografía, poesía, guerra, frente, arma, Viento del pueblo, Hernández. photography, poetry, war, front, weapon, Viento del pueblo, Hernández.
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